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Secondary colors like violet are critical tools for the artist when putting acrylic paint on paper. They help set your boundless creativity and imagination on fire and create fantastic images in your sketchbooks. Violets are also present in nature’s aesthetics, although highly muted and less intense than the violet that you get in the form of readymade acrylic paints that come in tubes.
Why is violet an essential secondary color?
For artists, the color palette is boundless. If they intend to create the most extraordinary depictions of nature or their imaginations on sketch pads, many hues and shades are required. Although several artists can work with just a couple of basic or primary colors and create a variety of secondary colors from them, some might need multiple primary and secondary colors and mix them in varying proportions to get their desired effects.
Violet is one such secondary color that could fill your sketching pad when using the paper for painting with acrylics. From flowers like clematis to the sun-dappled snow and even the dramatic summer skies after sundown, violet makes its appearance in nature several times. However, such violets’ tone, saturation, and depth might vary. Thus before judging the tone
and purity of the violet that you want to render in your creations, first, it is crucial to find out how red or blue the violet in concern is.
How to mix two colors to create clean violet in your sketchbook for acrylic painting?
The color violet is not very new, and it dates to prehistoric ages when traces of the violet was created by crushing manganese ore and mixing it with animal fat. However, we have come far ahead of that time, and now we can get a fresh, rich mix of violet by combining a couple of colors in the ideal proportions. However, since you will be painting on paper and using your sketchbook for drawing, the bias, saturation, and tone of violet you need will solely depend upon you. The color mixing should happen likewise.
The violet color can be achieved by mixing cyan and magenta, in other words, primary blue and red. However, certain reds and blues might create a dull or bland violet – one that is too ‘greyed down.’ Hence, you should learn to use the right blues and reds to obtain the ideal violet that helps paint your imaginations in fiery color variants!
In this context, it should also be mentioned that without the assistance of an ideal sketchbook, all this effort might become futile. A sketchbook for acrylic painting pairs with acrylic paint the same way a good notebook with a fountain pen creates magic! At Ayush Paper, you will get the most extensive collection of excellent notebooks that enable shading, shimmering, and detailing effects without any form of bleed-through or see-through consequences. The pages are of high quality and offer adequate times for the ink to dry and resistance to moisture. Grab the best notebooks and sketchbooks today at the lowest prices!
Mixing red and blue to get violet
Before we go into the intricacies of mixing two colors and obtaining violet, we must remember that the red or blue that we know or come by is not even close to the ‘primary red’ or ‘primary blue’ required to create violet. In this regard, the colors most comparable to these primary
forms of red and blue are magenta and cyan. Magenta and cyan are the essential components for an artist to obtain violet on his color palette by mixing them in the right amount.
In the case of acrylic painting on paper, you must learn to work with permanent rose and blue. These two pigments are the closest to the primary red and blue variants and can be mixed in the right proportions to obtain violet.
Here, we must take note of the position of violet on the color wheel.
Violet is situated between red and blue within the color wheel. As a result, violet can go either way or exhibit a bias towards red or blue, becoming violet-red or violet-blue. Even if you measure the magenta and cyan and mix them, the violet will show some bias. It could be a pale violet or exceptionally dark violet and even display various degrees of purity ranging from bright to somber.
Thus, while using your A4 sketchbook to create a visually striking impression employing violet, you should be mindful of the inclusion of essential art pigments. It would help if you also were careful about using white to tone down the rich violet mixes or neutralize the bias to some extent.
After multiple sessions of color mixing, notable artists have come forward with a couple of conclusions regarding violet.
● the best blue for obtaining the clean violet shades will be ultramarine blue, cobalt blue, indanthrene blue, Windsor blue, and blue. However, Windsor blue can shift the bias towards red.
● the best red for obtaining the clean violet shades in the art will be the permanent rose.
You can use various mixes while acrylic painting on paper to obtain subtle violet hues that are earthy and often found in nature. On the other hand, you can also get misty violet hues by mixing other essential pigments and varying their proportions. It would help if you never forgot that white could be a friend in need during these situations when you are trying to tone down the intensity of the violet obtained.
However, you can break away from the grammar of color theory and start improvising independently. Since the human mind is a beautiful object and is always keen to explore a new direction, you might well be presented with a novel worldview in terms of color mixing to obtain your desired shade of violet!